A contrived set is shown with clashing black and white patterns, and a figure holding a glass of wine is faintly illuminated by a laptop on their knee. This submission is a testament to these online communities and how important they have been for those without access to their queer circles. At any one time hundreds of attendees from across the world can be seen on screen dancing, singing, chatting and connecting with each other, unrestricted by geography or venue limitations. Digital spaces can also be more inclusive than their real life counterparts, allowing those with access needs to join at their own pace. From the weekly Queer House Party to Club Quarantine's nightly gatherings these virtual club nights offered a lifeline to queer people in isolation, allowing them to connect again in an otherwise lonely time. When nightlife venues across the UK were forced to shut in March 2020, many online 'club' spaces arose. "These online parties will no doubt inform the future of nightlife when queer spaces IRL eventually begin to open, but until then we can dress up our rooms, by ourselves pour a drink and enter the party." Aidan produced the piece below to explore online communities, isolation, and queer resilience.
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He believes this research is too scientific as it currently stands and so designed this the infographic featured below as this more broadly addresses concerns regarding PrEP within the gay community as well as the public and professional sphere.Īdrian's full submission is available in pdf form HERE.
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His research focuses on the use of HIV Pre-Exposure Prophylaxis (PrEP) in Men-who-have-Sex-with-Men (MSM), specifically how to optimise uptake within ethnic minority communities. During quarantine he used his time away from clinical responsibilities to focus on research. You can find a blog post with more in-depth details about the project here.Īdrian is a gay medical student at the University of Warwick. They may even subvert a 'decoding' altogether. These unexpected images do exactly what they wanted the photographs to do: represent bodies in ways that are ambiguous and may require time and care from the viewer to decode. When uploading their selfies to their phones, they produced new images - glitches. During the pandemic they began to experiment with queer visual techniques, identifying visual tropes of superimposition, montage, mirroring, image degradation, and the digital glitch. They wished to create an online community and explore shared experiences of gender and/or queerness in the pandemic through the queer language of selfies. Davidson and Dawn Woolley sought to be participants in the project, as well facilitators. This is a space in which others were invited to share selfies where they queer gender binaries in pandemic times and places. These images were produced as contributions to the collaborative project on Instagram. We encourage you to take a look through and to experience, just for a moment, a snap shot of queer life in lockdown. There is a wide variety of content here including photography of the self, artwork, photographs that capture something tangible or physical, GIFs and text based content. On this page you will find all of the images submitted to the Queering the Quarantine project.